Scratch 3 How to Draw the Humn Body
Drawing Beefcake for Beginners, Learning the Ins and Outs
When it comes to learning how to describe people successfully, knowing human anatomy is key. Jeff Mellem, creative person and author of How to Draw People , shares the elevation dos and don'ts of drawing beefcake for beginner artists then y'all can start drawing more realistic figures in no time.
Figure Drawings excerpted from "How to Draw People" by Jeff Mellem
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1. DON'T think like an beefcake book
Cartoon anatomy for beginners can feel overwhelming at outset because there are and so many muscles on the body. When you're looking at a model and yous see a lot on bumps, you lot might be tempted to pull out an anatomy volume to decipher what's going on under the skin.
An anatomy book is groovy at telling you what you're looking at but it's not very helpful at telling yous the three-dimensional shape of the muscles.
DO retrieve in simple volumes
When you lot outset arroyo figure cartoon, y'all demand to start out with establishing the basic volumes of the figure using spheres, boxes, and cylinders. By but kickoff with these bones shapes then building upwards the complication as yous go along, you will exist able to make your drawing maintain its sense of dimension.
If you copy contours earlier you build in the structure, I guarantee you'll end upward with a apartment-looking drawing.
The cartoon on the left overemphasizes the model's muscles and it looks more like an anatomy book than a figure. An creative person needs to think about the 3D shape of the muscles to give the effigy an illusion of volume.
The Takeaway:
Use an anatomy volume to empathise what's below the surface but recollect about each musculus in 3D. Don't draw the muscles as a serial of lines. Draw them as sculpted spheres, boxes and cylinders.
With that beingness said, yous don't always have to actually draw spheres and boxes on the page. If y'all look at an artist like Harry Carmean, yous can run across that while he sometimes is just drawing counters of the trunk, he is clearly thinking about the 3D qualities of what he'south drawing.
2. DON'T make muscles the focus
When artists first start paying closer attention to adding anatomy to their drawings, they ofttimes have a trend to overemphasize the beefcake. The figures often end up looking like they have no skin. The muscles are there to add more realism to the figure, only they shouldn't exist the focal bespeak of the drawing.
DO use muscles to reinforce the action
The focus of a drawing should convey an action, an emotion or the subject'south personality. You don't want a viewer to terminate and look at the parts of your drawing; yous want the viewer to encounter the whole figure and be interested in what that effigy is doing and who he or she is.
In order to maintain focus on the activeness it'south always a great practice to starting time all your drawings with a gesture drawing. A gesture drawing serves every bit a blueprint for the action. Everything that comes after is to help clarify and heighten that action.
The muscles should exist drawn to amplify the motility of the figure and shouldn't draw attention to themselves. A skilful example of this is comic book characters that have exaggerated anatomy to convey their strength.
A successful comic book page isn't most the graphic symbol'due south muscles but about how that character's ability is being expressed in the story. The volumes of the muscles are designed to lead the eye through the trunk toward a indicate of action. The reader isn't stopping to expect at the character'due south well-developed musculature.
Notice how the muscles in the figure on the right reflect the gesture drawing on the left. The muscles are used to reinforce the figure's action, they aren't the focus of the cartoon.
The Takeaway:
Anatomy is there to add together realism but it'south less important then carrying the activity and mental attitude of the whole effigy.
3. DON'T draw every figure with the aforementioned shapes
When artists first using basic shapes to develop figures they often start to autumn into a pattern of using the aforementioned shapes to build every figure.
Do observe and adapt to your effigy's unique build
When y'all're building your effigy you have to look and adapt your shapes to the specific subject area you're cartoon. You're not going to employ the aforementioned shapes for a bodybuilder that you lot would a sumo wrestler or a long altitude runner.
You take to look at your subject area and effigy out what simple shapes are the best tools to develop your figure. For example, some people have very squarish heads which needs to be constructed from box shapes while others accept a more than roundish appearance that should exist built from spheres.
These ii figures are in the same pose but are built from unlike shapes. The effigy on the correct is built from more block shapes and it gives the figure a sturdier feeling.
The Takeaway:
Don't approach every effigy with a formula. Instead, observe and adapt your shapes to fit your bailiwick.
4. DON'T copy what you see
If yous only copy what you meet you will never create what yous imagine. I never saw the betoken of replicating a photograph in a drawing across being an exercise to build observational skills. Why duplicate what already exists when you lot tin can interpret and adapt as y'all come across fit?
DO recreate what you see on the page
Observational skills are important only non just for copying what y'all see. Employ your observational skills to clarify your subject's unique shapes so you can reinterpret information technology on the page. That means you aren't copying counters of the body. Instead you lot're recreating a figure on the page from the ground up.
You first by capturing its move in a gesture, rebuild the figure three-dimensionally using bones spheres, boxes and cylinders, and then sculpt those simple shapes into anatomical forms. This is a very different procedure than only replicating what you run across.
You're combining what you see with your 3D knowledge of anatomy to recreate the figure on the folio. This volition not only aid y'all to develop cartoon that have a sense of mass but also will allow you to adapt and change the effigy to create something new.
This is merely a fun drawing to help illustrate that you demand to understand the 3D shapes of a figure and so you can reassemble them on the folio. This is a unlike mode of thinking than just copying the contours you see.
The Takeaway:
The job of an artist isn't to replicate what he or she sees. It is to interpret what he or she understands. When drawing a figure, you bring in your knowledge of anatomy and volume to draw a figure rather than just copying contours and values.
five. DO pay attending to proportions and beefcake
To describe a realistic figure, y'all demand to pay attention to accurately capture the figure'southward proportions and anatomy. This comes from both studying anatomy and having adept observational skills.
DON'T be overly rigid.
Anatomy and proportion are of import. But alone, they don't make for an interesting drawing. A figure drawing that feels like it has personality or appears dynamic is going to be more interesting than 1 that is technically correct.
Allow the anatomy and proportion take a supporting part to the underlying gesture cartoon. Every pace of your drawing should be to create a unified figure that has energy and attitude fifty-fifty if that means altering the figure's proportions or anatomy to improve emphasize that action.
This figure has exaggerated proportions – similar to those used in style drawing. Information technology doesn't matter that it'due south not correctly proportioned if the determination to exaggerate is purposeful. You can find many examples of artists who distort and exaggerate proportions for stylistic reasons.
The Takeaway:
Cartoon great anatomy helps artists create realistic-looking figures that announced to have actual mass and book. However, the anatomy needs to add together to the sense of motion of the figure and not distract from it. You must have the skill to be able to draw the muscles in 3D in guild to change and adapt the shapes and emphasize the move and personality of your subjects.
More Resources on Drawing Anatomy and Figures
- three Mistakes You Make When Drawing the Figures
- Effigy Cartoon Methods of the Masters
- Drawing Dynamic Human Figures
- Train Your Eye With Effigy Sketching
- 5 Figure Cartoon Tips
Source: https://www.artistsnetwork.com/art-techniques/beginner-artist/drawing-anatomy-for-beginners/
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